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Visgift Studio — Automated video pipeline
100+ shorts produced automatically, 4 platforms
→ Business impact: 100+ shorts produced with no manual step — multi-platform autoscaling, cadence held without a human operator.
- Client
- Visgift Studio — short-form Nollywood / FR content
- Role
- Builder & operator
- Period
- 2025 → today
- Status
- production
- 100+ shorts produced
- ×4 platforms
- ✓ karaoke captions
- ✓ synthetic voice
Context
Visgift ships short-form content (Nollywood / francophone) at a high cadence. Producing a video by hand — voice, captions, edit, publishing to every network — is slow and doesn’t scale. The goal: industrialize the chain end-to-end.
Technical challenge
- Chain a dozen heterogeneous tools (voice, edit, captions, CDN, scheduling) into one reliable, replayable pipeline.
- Generate karaoke captions synced to the word on synthetic voice.
- Publish automatically on 4 platforms with the right formats and metadata.
Solution
Script ─▶ Voice (ElevenLabs / Chatterbox) ─▶ Karaoke captions (word-level)
│
Assets (images, music) ─▶ ffmpeg render ─▶ Vertical MP4
│
Cloudflare R2 (CDN) ─▶ Buffer ─▶ 4 platforms
- Voice synthesis (ElevenLabs + Chatterbox) driven by script.
- Karaoke captions generated at the word level and burned into the render.
- ffmpeg orchestrated from Python/Node for a reproducible vertical render.
- Storage / distribution via Cloudflare R2, scheduled publishing via Buffer on 4 networks.
Outcome
- 100+ shorts produced by the pipeline, at a steady cadence.
- Multi-platform publishing automated (×4), formats and metadata handled.
- Replayable chain: from a script to a published video with no manual step.
Learnings & trade-offs
- A media pipeline is tool plumbing before it’s creativity. The value is in the chain’s reliability, not in any single tool.
- Automated publishing forces upstream standardization of formats and metadata.
Limits — said publicly
- · No direct monetization figures shown here — the pipeline is the case study, not the business performance.